With deeply moving and dynamic performances top to bottom, Jake Scott has directed a moving and deliciously dreary examination at an often overlooked woman in our country.
HEAD COUNT: A Horror That Never Finds Its Footing
While ultimately it comes up short, Head Count shows promise from Callahan – she knows how build a slow burn that explodes in the third act.
THE LAST BLACK MAN IN SAN FRANCISCO: A Gorgeous, Heartfelt Portrait Of A Changed City
It’s absolutely gorgeous, with a rousing score and moving performances that more than make up for a story that takes a few detours to get where it’s going. The Last Black Man In San Francisco lives up to the hype coming out of Sundance and is not to be missed.
PHOTOGRAPH: A Quieter Look At Love & Loneliness
While Batra‘s story is frequently too slow to engross yourself in, it’s unique and intriguing enough to carry interest. Photograph examines the familiar pressures and expectations that permeate our lives. It’s a compelling cultural look at loneliness, even when surrounded by people.
THE TOMORROW MAN: A Slow Wait For The End Of Days
The Tomorrow Man is too sparse to fill a feature and feels like more of a highlight reel of an older couple finding love than it does an exploration of these characters’ flaws
ANIARA: A Beautiful Sci-Fi Epic That Veers Slightly Off Course
While it’s a visually stunning feature debut for Kågerman and Lilja, the ship’s lost course becomes symbolic of the lost potential of Aniara.
JOHN WICK: CHAPTER 3 – PARABELLUM: Nobody Does Death Better
John Wick
Kills a guy.
With.
A.
Book.
THE BIGGEST LITTLE FARM: The Power Of Mother Nature On Full Display
The Biggest Little Farm is a gorgeous documentary on par with the raw beauty of Planet Earth or any other nature documentary. Where it separates itself is the personal story and just how invested the viewer becomes in their success.
Tribeca Film Festival 2019 Review: PLUS ONE
Plus One certainly hones in on a relatable feeling of being and feeling alone at weddings when you’re at a certain age, and has charming moments. It just never goes anywhere that makes it feel unique or particularly memorable.
IN A NEW YORK MINUTE: A Unique, But Uneven Look At Love
The film is gorgeous to look at and the camerawork is precise. Unfortunately, too much of it feels almost like a soap opera between the situations the women find themselves in.
